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・ Pygmy hippopotamus
・ Pygmy hog
・ Pygmy killer whale
・ Pygmy lanternshark
・ Pygmy long-eared bat
・ Pygmy longbill
・ Pygmy lorikeet
・ Pygmy Lush
・ Pygmy madtom
・ Pygmy mammoth
・ Pygmy marmoset
・ Pygmy moray eel
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・ Pygmy mouse lemur
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Pygmy music
・ Pygmy nightjar
・ Pygmy nuthatch
・ Pygmy opossum
・ Pygmy owl
・ Pygmy palm swift
・ Pygmy parrot
・ Pygmy pebblesnail
・ Pygmy peoples
・ Pygmy pikeconger
・ Pygmy poppy
・ Pygmy possum
・ Pygmy rabbit
・ Pygmy race
・ Pygmy rainbowfish


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Pygmy music : ウィキペディア英語版
Pygmy music

''Pygmy music'' includes the Sub-Saharan African music traditions of a broad group of people who live in Central Africa, especially in the Congo, the Central African Republic and Cameroon. Pygmy groups include the Baka, the Aka, the Twa peoples and the Efé. Music is an important part of Pygmy life, and casual performances take place during many of the day's events. Music comes in many forms, including the spiritual likanos stories, vocable singing and music played from a variety of instruments including the bow harp (''ieta''), ''ngombi'' (harp zither) and ''limbindi'' (a string bow).
Researchers who have studied Pygmy music include Simha Arom, Louis Sarno, Colin Turnbull and Jean-Pierre Hallet.
== Polyphonic song ==

The Mbenga (Aka/Benzele) and Baka peoples in the west and the Mbuti (Efé) in the east are particularly known for their dense contrapuntal communal improvisation. Simha Arom says that the level of polyphonic complexity of Mbenga–Mbuti music was reached in Europe only in the 14th century.〔Aimard, Pierre-Laurent; Ligeti, György; Reich, Steve; Arom, Simha; and Schomann, Stefan (2003). Liner notes, ''African Rhythms''. Music by Aka Pygmies, performed by Aka Pygmies; Ligeti and Reich, performed by Aimard. Teldec Classics: 8573 86584-2.〕 The polyphonic singing of the Aka Pygmies was relisted on the Representative List of the Intangible Cultural Heritage of Humanity in 2008.
Mbenga–Mbuti Pygmy music consists of up to four parts and can be described as an "ostinato with variations" similar to a passacaglia in that it is cyclical. It is based on repetition of periods of equal length that each singer divides using different rhythmic figures specific to different repertoires and songs. This creates a detailed surface and endless variations not only of the same period repeated but of various performances of the same piece of music. As in some Balinese gamelan music these patterns are based on a super-pattern which is never heard. The Pygmies themselves do not learn or think of their music in this theoretical framework, but learn the music growing up.
Polyphonic music is only characteristic of the Mbenga and Mbuti. The Gyele/Kola, Great Lakes Twa and Southern Twa have very different musical styles.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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